Stephen Dwoskin Movies

Cinématon is a 156-hour long experimental film by French director Gérard Courant. It was the longest film ever released until 2011....

"Hi Steve" and "Dear Robert" exchanged between two filmmakers: Robert Kramer and Stephen Dwoskin. "The Videoletters strip away the formalities that...

Includes 'portraits' of Marianne Faithfull, Thelonious Monk and 28 others, some known, some less so.

Filmmaker Jonas Mekas films 160 underground film people over four decades.

"Two independent filmmakers, who willingly practise self-fiction, are filming each other in order to communicate better. In spite of their...

Filmed in New York in 1964, completed in London 1967.

Stephen Dwoskin’s final film is a meditation on the subjective experience and cultural concepts of ageing. The film is an ode to the texture,...

For this remarkable experimental film, the provocative avant-garde legend Stephen Dwoskin gathered together a group of strangers and filmed them as...

It is quite revealing how complex the simple form is. Shot one to one, a girl is confronted with nothing more than her thoughts. In the period of...

'The Silent Cry is a fictionalised narrative film, based on documentary facts and extracts of one English girl's memories and thoughts, all...

A personal film by experimental director Stephen Dwoskin.

Born in 1904, Brandt was a shy and enigmatic man who dominated British photography for decades. His early studies of class-divided Britain were...

Described by Stephen Dwoskin as "a documentary without being one," the basis of BEHINDERT is autobiographical: the story of a physically disabled man...

An old man remembers the troubled relationship he had with his mother, the erotic games, and the phantasms in which she managed to attract him. The...

An aged art connoisseur (Beaumont) and his young female neighbour (Coles), who has a job posing naked in a club, meet and exist in fantasy and...

This amusing short features a real life Labour party canvasser who comes looking for Dwoskin (never realizing that he's the camera man), and instead...

'Dyn Amo' is a 'drama' exploring the distinction between a person's self and his projection of that self to others; and it's a 'horror movie'...

His Oriental predator is at first clothed in black, her 'victim' in white; slowly the costumes change, the victim acquiring a veil of mourning, until...

A exploration of the origin, theory, philosophy and themes of Stephen Dwoskin's films from 1963 to 1984.